I found a blog post that shows Creative Labs problems have existed since the beginning of the year. A problem is preventing the troubleshooter from starting." What came up? "An error occurred while troubleshooting. On left click there is an option to troubleshoot audio problems. There was a speaker icon in the system tray, but all the audio buttons were grayed out. So far, not bad, only minor issues requiring the occasional reinstall. So I reinstalled Visual Studio 2012 libraries, and it finally worked. Then I got an error saying the MSVCP110.dll was missing. ![]() I use a Logitech G110 keyboard and its utility file didn't work at first, so I reinstalled that software. In the end, the solution was to completely uninstall Office 2010 and reinstall it fresh. But I could not find that file because the search box defaulted to looking on Bing, not my PC. It wanted a file called en-us\dwtrig20.exe. I tried running the Office download file (X17-75058.exe) to do a repair of my install. Thankfully, after a few 1706 setup errors, cancelling the install worked and Outlook started as normal. ![]() exe image of 2010 from Microsoft, and Outlook would not see the file as a single disk image. Only one problem: I didn't have a DVD, I downloaded an. When I started Outlook 2010, it started doing an update, looking for the Microsoft Office Single Image 2010 disk. The first problem I encountered was with a Microsoft product, which quite surprised me. ![]() However, if it was an app not known to Windows, the default was to a Bing search. Turns out all you need to do is start typing an app's name, a feature they introduced in Windows 8, no search box needed. The new Start menu is rather nice but I noticed the search box was gone. About 15 to 20 minutes later up came the Windows desktop, which looked awfully familiar since it had migrated my old desktop and my Rainmeter settings, so that was a good start. People had told me it was solid and stable enough for a work machine, so I threw caution (and sense) to the wind and did the install. With nothing to do one evening I decided it was time to pull the trigger and try out Windows 10.
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![]() A nemesis would be revived, and for the sake of portraying an image of this showdown with Samus, this time it could only happen on Planet Zebes. Also, I wanted to bring back an old enemy. Sakamoto: This time I wanted to complete the Metroid series. With this story, this time it’s on the same planet – Zebes is the setting, isn’t it? ![]() Because it’s an involving story, the overseas and Japanese versions would be different it required 12 Megs for making each one, so 24 Megabits of content makes for one dense game. Sakamoto: Super Metroid was intended for both overseas and domestic audiences so required content that was completely the same. The programming workload and everything else must have also increased. Sakamoto: At first, we expected to use only half that capacity, but we put in some high quality music and graphics, so naturally, it expanded… No, we made it expand. *The original term, shisutemu or “system”, refers to the game’s overall design. I think everyone wanted to avoid that kind of design.* However, I wanted to fuss over it. Sakamoto: Making it was fairly difficult. If it didn’t resemble those kinds of games, was development difficult? It’s more complete than most action games, and above that it doesn’t require RPG elements, like a puzzle in Zelda. Sakamoto: I think the music and graphics, and even the system itself, makes it different from other types of games. What specifically gives it this style you talked about? *The original term – kara “color” refers to the tone, manner, and overall feel of the game. Naturally, people always will call a series that before it is finished. Sakamoto: Well, we were obsessed with it not becoming too obsolete. In 2005, Satoru Iwata restructured Nintendo’s R&D departments under Entertainment Analysis and Development. *Called Nintendo Development Department 1 in Japanese. However, everyone now in Nintendo R&D1* who has made part of Metroid is dedicated to the series’ atmosphere and the style. For the Game Boy version, the staff was a little different. Sakamoto: I don’t mean to say I was involved with the whole series. First, what makes you enthusiastic for Super Metroid and the Metroid series? ![]() Truly, thank you very much for your hard work. NOBODY WANTED TO FUSS OVER A DIFFICULT DESIGN The development staff who gave Samus life and created Planet Zebes tells us about Samus’s true appearance… The master ROM has been completed for about one month. (To view the original scans, please visit the Super Metroid Library page.) The Super Metroid development team reveals many astonishing insights into the series that have never before been available in English. Reading this was like opening a treasure chest from the past. In this MDb exclusive, the entire interview was translated by CapCom from scans graciously provided from the private collection of VGMStudios. This interview appeared in the official Japanese strategy guide to Super Metroid published by Nintendo. INTERVIEW: When Samus Was Naked 1994 (Original MDb Publish Date: 12.24.09) ![]() ![]() We’re at the midway point of the story, with the fourth of six weeks set to come out tonight. It’s clear that she’s leading Delsin on a path to uncover certain mysteries, explaining her murderous actions, by way of messages written on the backs of the origami doves you find at each crime scene. Wearing a mask that lends her that name, she leaves behind her a paper trail that’s reminiscent of a rhythmic gymnast’s streamers and a smattering of floating origami creations, which is visually arresting. The White Rabbit conduit is also an intriguing character, alongside her powers. If you can’t see a solution in front of you, it’s often trying to send you to another website, giving you a number to trace or look up, and I’ve often found myself jotting down a little detail, though mainly so I don’t have to hop between tabs too often. There’s actually a few rather tricky little puzzles, which took a little thought to figure out. It actually sends you off to another website with these clues and pushes you to engage in a little social engineering to find the number and let you head back to the game for a mission, followed by more puzzling and clue hunting on the internet. Having collected evidence at a crime scene, you can then view it on the Paper Trail website, digging through a few photos, opening up the origami doves which are her calling card, and piecing together the clues in order to find the phone number of a drug dealer to track. Chasing after the White Rabbit, it’s a very similar feeling first encounter to Fetch’s, in fact, but quickly pushes you back to the website. It’s understandable that Delsin’s initial conclusion is that they could be related to Fetch, or at least a copy cat killer, as he encounters a mysterious new conduit at her billboard. The story itself kicks off with a mission in Second Son, revealing another string of murders in Seattle at the hands of another conduit. These simple introductory tasks will earn you some bonus karma when you hop into the game. Signing up for an account on, you take part in a few tests to ascertain whether you are likely to possess the conduit gene and your position on the rights of conduits. Rather than existing purely within the game of Second Son, Sucker Punch have instead teamed up with 42entertainment to add gameplay that reaches out into the real world internet by way of an Alternate Reality Game. inFamous Paper Trail takes one of these, paper, and adds an additional story arc and conduit to Second Son, promising an extra 5-6 hours play over six weekly episodes. However, the universe and backstory to the game, whether you think of the various powers demonstrated in the first two games or those mentioned in the dead drops in Second Son, point to several other powers as well. In some ways it’s actually quite interesting that Sucker Punch showed so much restraint, keeping his arsenal in check throughout. Within inFamous Second Son, Delsin comes into contact with several new and interesting powers, the likes of which we hadn’t previously seen in the series and which certainly took his abilities in interesting directions. ![]() ![]() “Crime, Truth, and Justice in Modern Mexico: Notes for a National History” in The Americas 73:4 (Oct. Norman: University of Oklahoma Press, 2016. “Ley fuga as justice: The consensus around extrajudicial violence in twentieth-century Mexico” in Violence and Crime in Latin America, edited by Gema Santamaría and David Carey. “A Historical Perspective on Crime Fiction in Mexico During the Middle Decades of the Twentieth Century” in The Oxford Handbook of The History of Crime and Criminal Justice, edited by Paul Knepper and Anja Johansen. “The Public Sphere and Liberalism in Mexico: From the Mid-19th Century to the 1930s” in Latin American History: Oxford Research Encyclopedias, edited by Bill Beezley (August 2018). Actores, espacios y debates en la historia de la esfera pública en la ciudad de México. True Stories Of Crime in Modern Mexico. Albuquerque: University of New Mexico Press, 2009. Mexico City: Instituto Nacional de Estudios Históricos de la Revolución Mexicana, 1991, 171 p. Durham: Duke University Press, 2001.Ĭongreso y Revolución: El parlamentarismo en la XXVI Legislatura. Durham: Duke University Press, 2010, 400 p. Honorable Mention, Mexican History Book Prize by the Conference on Latin American History.Ĭity of Suspects: Crime in Mexico City, 1900-1931. The Tyranny of Opinion: Honor in the Construction of the Mexican Public Sphere. Zamora: El Colegio de Michoacán-Instituto Mora, 2015.Ĭiudad de Sospechosos: Crimen en la Ciudad de México, 1900-1931. Translation of City of Suspects by Lucía Rayas. La tiranía de la opinión: El honor en la construcción de la esfera pública en México. Editorial board, Law and History ReviewĪ History of Infamy: Crime, Truth, and Justice in Mexico. Berkeley: University of California Press, 2017.Tibesar Prize, Conference on Latin American History, for "Tales of Two Women: The Narrative Construal of Porfirian Reality," 2000.Cátedra Patrimonial de Excelencia, nivel II, Consejo Nacional para la Ciencia y la Tecnología, 2000.Institute for Social and Economic Research and Policy, Columbia University, 2007. Grant from the Fondo Nacional para la Cultura y las Artes, Mexico, 2007.Researcher in Residence, Center for U.S.-Mexican Studies, University of California, San Diego, 2008.Lenfest/Columbia Distinguished Faculty Award, 2008.Alliance Visiting Professor at the Universite Paris I Pantheon-Sorbonne, 2011.He is currently working on an overview of crime in Mexico during the twentieth century. He has worked on the political and cultural history of Mexico, and on the history of crime. ![]() Pablo Piccato, professor, specializes in Mexican history. Universidad Nacional Autónoma de México, Mexico City, 1990 ![]() There is no Ballygran(t) in Ireland, but there is in the Isle of Islay in Scotland – which, O’Dowd explains, is located in a wider area known as Kilmeny. ![]() “ I wish I was in Carrickfergus,” the song opens, “ Only for nights in Ballygran(t.)” O’Dowd reminds us that there was far greater contact between places like Carrickfergus in Northern Ireland and parts of Scotland than with Kilkenny – arguing that the jump to the South-Eastern midlands in the modern version of the song seems to make no geographical sense. ![]() There has also been a suggestion, made by the US-based Irish writer Niall O’Dowd, that the song ‘Carrickfergus’ is more closely related to the Scottish tune, ‘Over The Water’. Behan insisted that he had been given two verses by O’Toole and that he wrote an additional one to slot in between. His 1965 version of the song given to him by O'Toole, which would become 'Carrickfergus', was immortalised on the album The Irish Rover, and titled ‘The Kerry Boatman’. He wrote celebrated songs like ‘The Patriot Game’ (which Bob Dylan drew on for ‘With God On Our Side’), ‘McAlpine’s Fusilliers’, ‘The Merry Ploughboy’ and ‘Liverpool Lou’, among other standards from the days of the Irish ballad boom of the 1960s and early 1970s. In fact, Dominic and his brother, the playwright Brendan Behan, were part of an extraordinary, artistic, republican, socialist family that included the songwriter Peadar Kearney, who – along with several well-known folk standards – wrote the lyrics to the Irish national anthem, ‘Amhrán na bhFiann (A Soldiers Song)’, which was formally adopted by the State in 1926.ĭominic Behan was himself a prolific playwright, author, songwriter and singer. It was the famous Irish actor Peter O’Toole – he insisted on his Irish-ness despite the fact that the birth records show that he was born in Leeds, England to an Irish father – who brought the song to the attention of the Irish songwriter, Dominic Behan. But there are mysteries, as yet not fully resolved, regarding the apparently fractured narrative in what has become one of the most loved, and covered, songs in the modern Irish folk repertoire. Antrim, on the North-Eastern edge of the island of Ireland. The song ‘Carrickfergus’ is written about the town of the same name, in Co. ![]() ![]() mkvpropedit, MKVToolNix GUI's header editor: added support for the Emphasis audio track header element via the "emphasis" property.mkvmerge: the options "-list-stereo-modes" and "-list-audio-emphasis" have been added to list all support numerical & textual values for the "-stereo-mode" & "-audio-emphasis" options.mkvmerge, MKVToolNix GUI's multiplexer: added support for the Emphasis audio track header element via the "-audio-emphasis" option.Here are the NEWS since the previous release: The macOS binaries & the other Linux binaries are still being built and will be available over the course of the next couple of hours. The Windows binaries as well as the Linux AppImage are available already. Here are the usual links: the MKVToolNix home page, the Windows installer/portable version & macOS DMG & Linux AppImage and the source code. ![]() They should restore ABI compatibility with libEBML v1.4.2 & libMatroska v1.6.3 respectively, which we accidentally broke with last week's releases (the bad ones: libEBML v1.4.3 & libMatroska v1.7.0). Those two releases were made on the same day as this MKVToolNix release. This will come in the next release.Ī couple of notes for package maintainers: the latest releases of libEBML (v1.4.4) & libMatroska (v1.7.1) are required. Partial in the sense that the GUI's chapter editor still needs to be updated for the new elements used for naming/titling editions (similar to how atoms can already be named). Or use Software Updater to receive updates if you have a previous version installed.MKVToolNix v71 is out, bringing some more maintenance, but fixes, partial support for the latest Matroska elements. Paste all content from the keyring page into the document and save it.Ĥ.) Import the document you just created in Authentication tab of Software & Updates.įinally you’re able to install MKVToolNix via Synaptic Package Manager (available in Software Center) after checking for updates (Click Reload button). Hate Linux commands? Well here is a step by step guide in graphicalġ.) Open Unity Dash, search for and open Software & UpdatesĢ.) Under “Other Software” tab, click Add button and then paste below line and click the Add Source button.ģ.) Create an empty document and name it to gpg-pub-moritzbunkus.txt. Sudo apt-get install mkvtoolnix mkvtoolnix-guiĪfter that, running regular Ubuntu updates (via Software Updater) will upgrade the app if there’s a new release.Ģ. ![]() When it opens, run below commands one by one: sudo add-apt-repository "deb trusty/. Press Ctrl+Alt+T on keyboard to open terminal. If you’re familiar with Linux command line, just a few commands will add the repository and install / upgrade to the latest MKVToolNix release in your Ubuntu. If you would like to receive latest features and bug fixes, using mkvtoolnix repository is recommended. This quick tutorial shows you how to install the latest release of MKVToolNix (mkvmerge GUI) and receive future updates from its official repository in Ubuntu 14.04 Trusty Tahr LTS.Īs you may know, MKVToolNix is a set of tools to create, alter and inspect Matroska files under Linux.Īs the program updates so frequently (almost one release per month), the MKVToolNix version available in Ubuntu repositories is always old. ![]() New Control Surface plugins for Native InstrumentsTM and IconTM Quick drag-and-drop expression data for each note can be quickly scaled ![]() View and edit MPE expression data for each note with familiar and powerful editing tools MIDI Polyphonic Expression (MPE) lets you record multi-channel output from an MPE controller such as the RoliTM SeaboardTM as regular MIDI notes containing MPE expression dataīassline, Modulo, MX4, Nanosampler 2.0, Polysynth and Proton support ![]() Hiding data of individual MIDI channels using the new “Channel Selector” section in the track selector Processing of all effects is carried out in real time, for instant responseĪllows you to organize your chunks into folders and playlistsĬan record and play multiple channels of MIDI data on one track, for example, record all 16 MIDI channels to a track at once Launching clips with NovationTM and AkaiTMįor live performances triggering sounds from a pad controller such as Novation TM Launchpad TM Pro mk3 or Akai TM APC-40 Significant update to the DP virtual instrument plugin adds time stretching, beat slicing and redesign of the user interface from scratch.Īllow you to dynamically apply variations to the output of a MIDI track using remote triggers that affect the track’s output.Īlways listens to both MIDI and audio input sources, capturing everything even if recording is disabled, clicking on record takes the take to be saved Users can now drag and drop audio and MIDI clips from the new Content Browser DP into cells in the Clips window and trigger them in real time, interactively, for live performance, or for inspiration while creating new material. Users can also run clip groups with multiple tracks (partial row of cells) or an entire row (clips across all tracks). A new Stretch editing layer for audio tracks allows users to drag and drop individual beats and their anchor points to fine-tune them to get exactly the feel they want. For global tempo control, users can simply turn on Stretch mode for each track, and the entire audio track instantly aligns with the tempo and timeline of the project, even as the tempo changes gradually over time. ZTX PRO technology from Zynaptiq provides the highest possible audio quality. The DP10’s advanced beat detection mechanism makes it easy to match imported rhythmic sounds.Īs with classic analog consoles of yesteryear, the DP10’s VCA faders can control any number of tracks, keeping their relative volume precisely. Mix automation can be applied to VCAs, and sub fader automation is supported and scalable across the board. The DP10 also includes a 5GB library of samples, acoustic instruments, synths, loops and phrases. This versatile collection of instruments spans musical genres, eras, geographic regions, and cultural styles. New features include a Clips window for live triggering and looping of audio and MIDI clips, Stretch Audio powered by industry-leading ZTX PRO technology, VCA faders, a new user-friendly content browser, VST3 plugin support, scalable UI and audio a 5 GB bank containing hundreds of virtual instruments. System requirements : PC with Intel Core 2 Duo CPU, 2.0 GHz or faster recommended, 4 GB of RAM is required more is highly recommended, Windows 10 (64-bit version only).ĭescription : MOTU has unveiled the 10th version of Digital Performer, a major update to its flagship audio software. * Support videos/images downloaded from Facebook, Instagram, Flickr, and more sites * Import all videos/photos from iPhone 6s, GoPro, camcorder or other devices * Supports all popular video/audio/image formats * Hide, mute, and lock the video /audio track by one-click * Easy-to-use cut, copy, and paste operations * The interface is intuitive and real-time preview feature ensures what you see is what you get * Standalone video file to share online or put on portable devices * 20+ stunning transitions: dissolve, iris circle, clock top, cut, bar vertical * Enhance your movie by adding personalized subtitles and stunning transitions * Set fade in/out time for videos and audios freely * Support volume adjustment and various audio filters to create a perfect sound effect * Create Fast/Slow-motion video by adjusting the playback speed as you like * Stabilize your shaky action camera footage in one click * Play multiple videos at the same time with the picture-in-picture effect * Create the fantastic animation videos with keyframe animation * Full of visual effects: blur, old film, sharpen, stabilize, vignette, white balance * Make a video tutorial/advertisement and create your personalized greetings for special occasions * Create your vivid slideshows with photos, music, and fades * Separate the audio track from a video file with ease * Seamlessly assemble clips and edit them frame by frame in the timeline * Import and mix music tracks to make music video like a pro * Unlimited video tracks and audio tracks help users handle all projects * White balance animation: color your video in different frame of your clip 6his feature can be used to color some scenes, for example, making the color of sunset and sunrise deeper * Rotate animation: zoom in and zoom out video to make a popular vlog you can also use this feature to spin you video * Blur animation: add smooth transition by blurring some frames it makes your video more eye-catching * Text animation: text varies from one frame to another this feature can be used to add subtitles to your video It also supports many export formats, which helps you to save your video for YouTube, Facebook, and Instagram.Ĭreate smooth animations by key frames, which will greatly enhance your video quality in many ways: MovieMator Video Editor Mac Pro comes with unlimited video and audio tracks and fully supports all media formats like 4K UltraHD, H.265, MP3, OGG, JPG, SVG, etc. With 40+ filter effects supported by keyframes techniques, it is possible to create videos with a variety of eye-catching animation effects. ![]() It allows users to edit video in many ways, like trimming, cropping, splitting, rotating, and more. MovieMator Video Editor Pro is a full-featured video editor for creating videos in minutes. MovieMator Video Editor Pro 3.1 | macOS | 108 mb It exposes a Bitcoin-Core style API while using an electron API in the backend. Forked from the Electrum Bitcoin base clientĮlectrum Bitcoin wallet with bundled libraries Alternatively, Electrum will be available in the Menu: Menu > Internet > Electrum Litecoin Wallet. Server implementation for the Electrum wallet (git version)Įlectrum Ravencoin Wallet Client. Server implementation for the Electrum wallet A twelve-word security passphrase (or seed) leaves intruders stranded and your peace of mind. Namecoin port of Electrum client with name support Electrum-LCC is a simple, but powerful Litecoin Cash wallet. Different Hardware Wallets like Trezor and BitBox supported.Ī lightweight desktop wallet for Garlicoin, based on Electrum.Īn efficient re-implementation of Electrum Server in Rust Use multi-factor security Use multi-factor wallets to split payment authorization across up to 12 devices or trusted copayers for enhanced security. Seamlessly manage assets across platforms. In this step, instead of choosing Create a new seed, choose I already have a seed. For example, to verify the file Electrum-LTC-2.9.3.1.tar.gz you will need the signature file Electrum-LTC-2.9.3.1.tar.gz.asc. Store securely Secure assets with multi-sig and optional key encryption in BitPay’s non-custodial wallet. ![]() It is one of the most popular option to send, receive and store Bitcoins. Give your wallet a name and then choose Next. Electrum is a Bitcoin wallet software that you use in your computer. You will then choose the New/Restore option. I'm not too familiar with how to pgp verify the download either. Im testing Electrum Windows10 wallet with Litecoin. Also, worried of getting malware or ransomware. But I'm worried of it not being as safe as electrum since it's just a port. The vendor recommends I use electrum-ltc. Bitcoin wallet with pro functionalities like single- and multisig, Transaction Editor, built-in Tor, connection to private Electrum and much more. How to Restore Your Electrum LTC Wallet Open Electrum and then click on File at the very top. I'm a mega noob and want to get an intermediary wallet for litecoin. ![]() naja) from Pakistan, almost the entire throat is black. oxiana) normally has several dark bands under the throat, whereas in the black phase of the Indian cobra ( N. The Caspian cobra ( Naja oxiana) is never fully black, although some specimens may be quite dark. They're also both the only true non-spitting cobras in Asia. Ĭonfusions may exist with the Indian cobra ( Naja naja), as specimens without a hood mark are usually confused with this species, and these two species coexist in Pakistan and northern India. This species has no hood mark and no lateral throat spots. Adults of this species are completely light to chocolate brown or yellowish, with some specimens retaining traces of juvenile banding, especially the first few dark ventral bands. Juveniles have noticeable dark and light cross-bands of approximately equal width around the body. Juveniles tend to be pale, with a faded appearance. Gradually tapering shape in contrast to the more ovoid hoods of some other Naja species ( Naja naja or Naja kaouthia). The dorsal scales are smooth and strongly oblique, with the outer two or three scale rows larger than the remainder. The eye is medium in size with a round pupil. The head is elliptical, depressed, and slightly distinct from the neck, with a short, rounded snout and large nostrils. This species is similar in size to Naja naja, averaging about 1 to 1.4 m (3.3 to 4.6 ft) in total length (including tail) and rarely reaches lengths over 1.7 m (5.6 ft). Anteriorly, the body is depressed dorsoventrally, and posteriorly it is subcylindrical. Naja oxiana is medium in length, a heavy-bodied snake with long cervical ribs capable of expansion to form a hood. The species itself appears to be genetically homogeneous despite population separation caused by the Hindu Kush mountains this suggests a recent rapid range expansion. Ī mitochondrial DNA study of Asiatic cobras in the subgenus Naja showed the Caspian cobra diverged from a lineage that gave rise to the monocled cobra ( Naja kaouthia) and the Andaman cobra ( Naja sagittifera) around 3.21 million years ago. Highly variable coloration and size within individual species made classification difficult until the advent of genetic analysis. naja from the north of India as well as populations corresponding to the Caspian cobra. naja caeca were applied to plain-scaled populations of N. For most of the twentieth century, all Asiatic cobras were considered to be subspecies of the Indian cobra ( Naja naja) during this period, the subspecific names N. The specific epithet oxiana is derived from the word Ōxus in Latin or Ὦξος ( Ôxos) in Greek, and refers to the ancient name of the river Amu Darya which flows along Afghanistan`s northern border separating it from Tajikistan and Uzbekistan before turning northwest into Turkmenistan and flows from there into the southern remnants of the Aral Sea in Central Asia ( Transoxiana), where this species occurs. The generic name naja is a Latinisation of the Sanskrit word nāgá ( नाग) meaning "cobra". Russian naturalist Alexander Strauch placed it in the genus Naja in 1868. Described by Karl Eichwald in 1831, it was for many years considered a subspecies of the Indian cobra until genetic analysis revealed it to be a distinct species.īaltic German naturalist Karl Eichwald described the Caspian cobra originally as Tomyris oxiana in 1831. ![]() ![]() ![]() The Caspian cobra ( Naja oxiana), also called the Central Asian cobra, ladle snake, Oxus cobra, or Russian cobra, is a species of venomous snake in the family Elapidae. |
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